To the new domain: http://cardcaptor.moekaku.com.
Please update your bookmarks!
To the new domain: http://cardcaptor.moekaku.com.
Please update your bookmarks!
So I figure I’d jump into the Seiyuu bandwagon Kurogane started. This list is actually based on how much I’m impressed with the Seiyuu’s talent and personality manifested in both anime and radio programs. It only contains new seiyuus as I haven’t heard the veterans perform much. The seiyuus are not ranked in any particular order. Read the rest of this entry »
Today is one of the happiest days in my life. After a 4-month long internship at a Japanese game company, the titular figure was given to me by my boss during my farewell party. It is my first figure, and definitely the most precious one that I will put on my every future office desk to tell people that my hard work gave me this moe reward. Read the rest of this entry »
I dragged my lazy ass out of bed to watch Hayate no Gotoku premiered on TV Tokyo yesterday at 10PM. My reaction?
Meh…
You see… I really like the first two chapters of the manga. It has a lot of dark jokes, a good measure of facial distortions, and Hayate’s internal monologue as he is tempted to walk down the path of evil. In other words, they are totally awesome. But the following awesomeness is absent from the anime: Read the rest of this entry »
March 4th was the day of (the 13-year-old) Takaki’s and Akari’s reunion after a year of separation, and it happened to be the day I went to Cinema Rise of Shibuya and watched the full Byousoku 5cm.

Cinema Rise. In contrast to my image, it’s quite a shabby and old cinema.
Well, the seat was comfortable, and that was all it mattered to me.

The ticket.
Here are some random and unorganized thoughts of mine on the anime:
This anime is all about the settings. There’s not really a plot. The characters are downplayed. What we are seeing is the two characters living their daily lives in a setting which is a lot larger than themselves. The character design is simplistic There are not so many close-up shots of the characters, and even many those close-up shots would contain minute details of the surrounding (even though they may be obscured by the depth of field.) Not to mention a truckload of gratuitous shots of the ticket vending machines, the please-be-careful-of-your-hand sign, PET bottles on a bicycles, etc, etc. I get a feeling that Shinkai’s focus is not on telling a story, but rather on producing awesome imageries.

No. This is not about Akari. It’s about the silhouette of the pole, and the snow falling outside.